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Though the show has flirted with digital consciousness in the past, most notably with its mind-bending “White Christmas” special and the series three darling, “San Junipero,” the new season takes up the thought experiment with zeal.’s episodes still stand well enough on their own, but after this latest installation, it’s possible to zoom out and see a cohesive rumination on the implications of digital immortality.(Spoiler alert: spoilers for multiple ’s term for a carbon-copied consciousness, in 2014’s “White Christmas,” which followed Jon Hamm as he coerced digital souls into acting as hyper-personalized home assistants and confessing to crimes.
Take, for example, “Be Right Back,” in which a woman named Martha, mourning her dead boyfriend, signs up for a service that promises to harvest the traces of his online presence to recreate him as a chatbot—and, later, place that AI in a synthetic body.The two are from the same label and have been on 'Train to Busan' together. Understandably so: Both shows dealt with elements of science fiction and psychological horror, and both functioned as anthology shows, with episodes so distinct from one another that an uninitiated viewer could plunge in at random and be as familiar with a given episode’s premise as a seasoned fan.It was a selling point; it made the show easy to recommend to people who might be wary of committing to a complex, serialized narrative.But since its purchase by Netflix in 2015, has begun to chip away at its episodic edges.Rumors had started spreading that the pair recently rented a hotel wedding hall and would be getting married.
An internet post had even specified a date and place of their wedding.
It’s a failed experiment, for sure—but maybe a necessary, realistic stumble on the path to true digital reincarnation.
From that first seed of cloud-based immortality planted in “Be Right Back,” we jump to “White Christmas,” where the technology, too, has leapt ahead—and has even more sinister implications.
Her experience is remarkably similar to that of Jack, who we meet in “Black Museum,” the final episode of ’s latest season.
When his wife Carrie falls into an irreversible coma, he’s offered the chance to implant her consciousness in his own mind, using the technology that we learn was initially developed to help diagnose disease—and, much like in “Be Right Back,” that decision goes terribly wrong.-verse to digitize consciousness?
That brings us to “San Junipero.” No more creepily submissive androids, stimulation-starved home assistants, or uploaded minds trapped in other people’s skulls or teddy bears: Now, upon death, residents of the universe can choose to live forever in a simulated utopia, seemingly without any real drawbacks.