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16mm, color, sound (English); two versions: 28 min. Directed by Carlos Vilardebo in collaboration with André Bac, Marcel Beau, Jacques Decerf and Anne-Marie Cotret; narrated by Alexander Calder; music provided by Louisa Calder from various recordings. Produced, directed and written by Jean-Marie Drot; narrated by Jean-Marie Drot and Ed Wegman (NET). (Calder 1966, 49–50) Spring: Calder attends night classes in drawing with Clinton Balmer at the New York Public School on Forty-second Street.
Directed by Jean-Michel Meurice and Jean Pierre Marchand; produced by Eliane Victor. (Calder 1966, 28–29) December: For Christmas, Calder presents his parents with a dog and a duck that he trimmed from a brass sheet and bent into formation. Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. (Calder 1966, 22) Spring: The Calders move to a new house on 555 Linda Vista Avenue. Portfolio of lithographs by Calder, Chillida, Guinovart, Miró, Ràfols-Casamada, Tàpies, Vedova, Viladecans. Mother and father were all for my efforts to build things myself—they approved of the homemade . (Calder 1966, 21) 1 January: Calder attends Pasadena's Tournament of Roses, where he experiences the four-horse chariot races. So I sent them another dollar and told them, “Look again.” They corroborated the first statement., in Philadelphia. (Calder 1966, 13) Spring: Stirling Calder contracts tuberculosis. (Calder 1966, 15; Hayes 1977, 18) End of March: Nanette picks up Calder and Peggy and they rejoin their father in Oracle. Produced, directed, and written by Robert Pierce; narrated by Lary Lewman; production manager, Mark Muheim, assistant camera/sound, Zack Krieger. Thirteen/WNET and Florentine Films/Roger Sherman Pictures, New York. Produced and directed by Roger Sherman; written by Thomas Mc Namee; narrated by Tovan Feldshuh, music by Teese Gohl. Produced by Zadig Productions, Calder Foundation, Centre Pompidou, Sloo Films, and France 5. Directed by François Levy-Kuentz; written by Stephan and François Levy-Kuentz; narration by Mathieu Almaric and Paul Bandey; music by Louis Sclavis. Produced and commissioned by the Calder Foundation, New York, in collaboration with Victoria Brooks. In 1942, when I wrote the Philadelphia City Hall for a birth certificate, I sent them a dollar and they told me I was born on the twenty-second of July, 1898. Calder has a workshop in the cellar and attends Lowell High School.
(Hayes 1977, 42) The Calders move to Spuyten Duyvil, New York. (Calder 1966, 34–35) 14 August: Stirling is appointed as the acting chief of the department of sculpture of the Panama-Pacific International Exposition in San Francisco. (Calder 1966, 36) June: The Calders move to San Francisco. (ASL, registration records) Before 3 May: Calder begins his first job as an artist, illustrating sporting events and city scenes for the , 3 May) Before 17 May: Calder moves into his father's studio, 11 East Fourteenth Street, while his parents are traveling in Europe. Alice Prin, the Best Known Artist's Model in Europe." 23 Gravures de Arp, Calder, Chirico, Erni, Ernst, Fernandez, Giacometti, Ghika, Gonzalez, Hélion, Kandinsky, Léger, Lipchitz, Magnelli, Miró, Nicholson, Ozenfant, Picasso, Seligmann, Taeuber-Arp, Torres-Garcia, Vulliamy, Zadkine (1944). (Calder 1966, 59–61, 66–67; ASL, registration records) January–April: Calder enrolls again at the Art Students League, taking classes in portrait painting with George Luks, head and figure with Guy Pène du Bois, a drawing class with Boardman Robinson, and an etching class. Cinematography by Paul Jones, Robert Molin, and Maxime Dely; music synchronized by Audio Review Symphonic Orchestra. "Secrets of Life in the Famous 'Latin Quarter,' the Follies, Triumphs and Tragedies in the Strangest Collection of Queer People in All the World, Revealed by Mlle. Written and narrated by Agnes Rindge Claflin; cinematography by Herbert Matter; filmed and recorded by Hartley Productions. (Calder 1966, 59) October–December: Calder begins classes at the Art Students League of New York, studying life and pictorial composition with John Sloan and portrait painting with George Luks. (Hayes 1977, 76) Before October: Calder returns to New York and stays with his parents at 119 East Tenth Street. Calder attends Germantown Academy for two or three months while his parents search for a house close to New York City.